![]() Overall, this lens is an excellent option if you want a medium/wide-angle focal range in an extremely compact and featherweight package! ![]() It’s nice to be able to skip the lens cap and not worry about stuffing this lens/camera combo in your pocket. Maybe the compact/lightweight design will keep it from having a big impact if dropped but I think the design could be improved by making it a bit more rugged.ĭespite durability concerns, it does have a nice lens hood that protects the front element from scratches. My main complaint is that it doesn’t feel as durable as other lenses. I also appreciate that the Sony E 20mm f/2.8 has well-controlled distortion (as long as you’re not shooting off-angle subjects with lots of straight lines) and has good sharpness across the majority of the frame. It is not the best portrait lens and won’t create any amazing bokeh but that’s not what it was designed for. With the 30mm focal length, it is great for shooting a variety of subjects, especially adventure and travel. The barrel of the Sony E 16-55mm f/2.8 is a metal design that incorporates grippy rubber on the zoom and focus rings. With the G rating, this lens is one level below the G Master or Gold Master lenses which are designed for very high-resolution cameras like the 61 megapixel Sony A7RIV. Sharpness on this lens is excellent throughout the zoom range. It is a mid-range zoom that matches the quality features built into their camera bodies. With all the features of a professional-grade lens (smooth focus/zoom rings, af/mf switch, focus hold button, and constant aperture) it feels like Sony has really made a commitment to their APS-C lineup with this lens. The f/2.8 aperture is great for getting beautiful bokeh and background separation. When zoomed to 55mm (82.5mm equivalent), this lens makes an excellent portrait lens. The Sony E 16-55mm f/2.8 produces fantastic images in such a flexible focal range! At the wide end (16mm) it has an equivalent focal length of 24mm which is perfect for landscapes. Previous lenses were not as fast or had variable apertures. The biggest improvement and feature everyone will love about this lens is the constant f/2.8 aperture throughout the zoom range. The standards for lightweight and performance are always increasing but I think this lens still delivers a great balance of both.Įveryone loves a quality mid-range zoom! With the Sony E 16-55mm f/2.8, Sony drastically improved upon previous offerings! At 225g (7.9 oz), it isn’t the lightest lens on this list but it is still comparably svelte. If I had to look for something to improve about this lens it would be the weight. If you want an excellent all-around lens you will be excited with the performance of the Sony E 24mm f/1.8. Although wide angle lenses are not particularly known for bokeh, the Sony E 24mm f/1.8 can create nice blur if you have a close subject and far away backdrop. The fast f/1.8 aperture is great in low light and at creating beautiful bokeh. Although the spec sheet says it reaches max sharpness above f/4, I love the crisp image quality when this lens is shot wide open. It offers excellent sharpness and minimal distortion for the relatively wide focal length. It has a sturdy metal build and balances nicely with the weight of APS-C cameras like the a6600. The Sony E 24mm f/1.8 is a sturdy professional grade lens that fits perfectly with the crop sensor format of the Sony APS-C cameras.Īlthough it is approaching ten years in production, this lens is still a top performer in its focal length ( guide). However, in the interests of simplicity, I’ve concentrated on the Sony (own-brand) offerings.Īrguably, it’s usually these ‘native’ lenses that perform the best, since they have been designed specifically for the cameras that share the same brand. In addition to all the Sony FE and E lenses which work with the Sony APS-C series camera, there are also several great third party options available. Circular aperture for attractive defocusing.Extreme Dynamic Linear Motor technology.Best Sony E-Mount APS-C Lens in 2023 Image
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